There’s nothing worse than being told how special and talented a character is, without ever seeing the proof for yourself. In CHANGING LOYALTIES, Dahlia has always been the dividing line between the werewolf and vampire factions.
Posts Tagged: Rebecca
Jonah Heywood is a drunk, a liar, and he probably owes you money. Although THE LEDBERG RUNESTONE introduces us to a familiar male urban fantasy character, the humour and the plotting keeps the novel fresh. When Jonah’s debtors come calling,, he has to work with an untrustworthy client to find a lost runestone.
THE HAZEL WOOD embraces the darker aspects of fairy tales. Alice Proserpine lives in the shadow of her grandmother’s novel Tales of the Hinterland, an adult take on fairy tales that created a cult following. Alice and her mother have spent their lives constantly moving, trying to stay one step ahead of the bad luck that seems to follow them.
MAD HATTERS AND MARCH HARES is a short story anthology inspired by Alice in Wonderland. Edited by Ellen Datlow, the anthology twists Alice in Wonderland into stories about a commercialized Wonderland, a grieving mother, a cat turned human, and a fantastic dinner between Alice Hargreaves and Peter Llewellyn Davies.
WHEN THE MOON WAS OURS is an important, excellently-crafted novel. If you love magical realism, you’ll gorge yourself on metaphors, similes, and imagery. However, like most magical realism books, WHEN THE MOON WAS OURS is heavy on emotional growth but light on plot.
ALL SYSTEMS RED is a fun read about a tv watching, awkward, security robot. When you call yourself Murderbot, it’s not surprising that you find it difficult to connect with humans.
THE FOREVER SHIP is an unflinching portrayal of revolution. War is more than fighting. It’s starvation, waiting, and unwinnable situations. For every victory in THE FOREVER SHIP there is an equal devastating loss.
In RULE OF LUCK, there’s tarot readings, love, and questionable science. Professional tarot card reader Felicia Sevigny is recruited by the Russian mob. She’s going to help them take down the evil government, in return she’ll be given more control over her destiny.
Motherhood is complex. Your body changes, your identity changes. THE END WE START FROM takes these overwhelming changes and throws in an apocalyptic event for good measure. The story starts as the unnamed narrator, with her husband and friends, prepares for a water birth. In the first few pages the prose is purple, drenched in metaphor rather than conveying the narrator’s frame of mind. It’s not until the narrator gives birth and goes to her in-laws that the story really starts.
In ROSEMARKED, the rose plague affects every part of the novel, from setting to characters. There are frank descriptions of everything, from infections to the remote, and desperate, lives of the infected. There is no magical cure and no kindness for those who are rosemarked.