You’ve just been thrown from a cliff into a river, your hands and feet are tied and you smashed your head on a rock. You’d be a bit snippy too, even with the nice (and nice-looking) fella who just dove in and saved you. Especially when you realise you don’t remember your name.
Publisher: St. Martin's Griffin
ELEVENTH GRAVE IN MOONLIGHT continues the tradition of the Charley Davidson series of being sassy and fun with an undercurrent of danger and mystery.
**Warning! Spoilers for the previous books ahead!**
THE CURSE OF TENTH GRAVE is another exciting installment in the Charley Davidson series. Though the story and Charley’s history are getting increasingly complex, I still enjoyed the story, drama and action that come along with Charley. This is not a series I’d recommend getting into in the middle, and THE CURSE OF TENTH GRAVE only proves my point, with pieces of the plot relying on information from previous books to understand all of the nuances of Charley’s story.
I keep trying time-travel stories and while LOOP is the first one that left me with a vague sense that I understood what was going on in the various timelines, they still end up giving me something of a headache while I read them. I can’t help wondering if my struggle to keep up with what’s going on keeps me from fully engaging with the plot itself. As far as LOOP goes, I think that’s only half of it.
Having just finished FEUDS I’m having a problem – I’m still not entirely sure what it was about. Set in the future, check. Dystopian, also check. There are Priors, there are Gens/Imps, and they sort of co-exist. Except when they don’t. There’s an imminent election and whispers of a disease. And an underground fight club deal that can save a family from life in the slums. Somehow.
THE HAVEN is a thrilling, romantic way to introduce young readers to dystopian human rights, but may not be satisfying for anyone who knows where Soylent Green comes from or who has been to The Island with Ewan McGregor. A short, age-appropriate adventure, THE HAVEN is best suited for a younger audience.
Almost like a fairy tale, STRANGE SWEET SONG has a rather lyrical quality to it. It almost felt like looking at an old photograph, where not everything is in focus, but it is intriguing and makes you want to keep looking at it more. While not perfect, STRANGE SWEET SONG was an enjoyable, different read.
Sometimes when I finish a book, I lean back, close my eyes and revel in the memories. After finishing RAIN OF THE GHOSTS, this wasn’t one of those times. Rather than revealing, I think I looked more like a dog after hearing a high-pitched whistle; the dog is trying to figure out what it heard, and I am trying to figure out what I read.