BITCH PLANET is a thought-provoking and important series, but it can also be a difficult one to read. Kelly Sue DeConnick has the ability to turn a spotlight on a harsh truth and inspect it. BITCH PLANET: TRIPLE FEATURE VOLUME 1 introduces us to different artists and writers, each with their own spin on DeConnick’s universe.
When I pick up a new dystopian novel, I’m always hopeful that the author will put a new spin on the genre. But at it’s core, SINLESS is nothing new. Tarkoff has found a different, problematic way to divide society, but the same beats exist. The hero is at first blind to the horrors of her world, then her eyes open, and she decides to revolt and become the savior everyone apparently needs.
THE FOREVER SHIP is an unflinching portrayal of revolution. War is more than fighting. It’s starvation, waiting, and unwinnable situations. For every victory in THE FOREVER SHIP there is an equal devastating loss.
Motherhood is complex. Your body changes, your identity changes. THE END WE START FROM takes these overwhelming changes and throws in an apocalyptic event for good measure. The story starts as the unnamed narrator, with her husband and friends, prepares for a water birth. In the first few pages the prose is purple, drenched in metaphor rather than conveying the narrator’s frame of mind. It’s not until the narrator gives birth and goes to her in-laws that the story really starts.
If you were one sexual encounter away from being permanently beautiful, would you do it? In Image Comics’ THE BEAUTY, physical perfection is a sexually transmitted disease and a lot of people have taken the plunge. Despite the constant low-level fever all the infected have, there’s no harm in it, is there?
I tried to read THE DEATH AND LIFE OF SCHNEIDER WRACK with my speed reading app but there were so many words that were gigantic or outright invented there was no way that my eyes could keep up at 300 and 400 words a minute. I’m glad I slowed down; when I did I started really enjoying this book that is more akin to Alice In Wonderland than it is to most other zombie books.
THE CITYBORN is fueled by its dystopian society. In a place only known as ‘The City’, there are clear lines between the rich and the poor. There can so much intrigue to a class-ruled dystopia. It’s always fun learn about how these strange societies are built ,and it’s even better to watch them fall. Unfortunately, the City was a cipher for too much of the book.
In A FACE LIKE GLASS your face will freeze like that. Maybe it’ll be stuck in Face No. 456, Joyous Rapture at Excellent Characters, or Face No. 943, Unbridled Excitement for Plot Development. Either way, you’ll be smiling throughout. In the world of Caverna facial expressions have to be taught. The poor only know a few expressions (happy and dutiful) while the rich learn all the intricacies.
In THE HUSH, there’s music and there’s Music. One is magical, there other isn’t. Untrained Musicians (capital M) are considered blasphemers. They are hunted down and executed since the only people that should harness the Song are Songshapers. So much of THE HUSH is balanced on the world-building. If you’re not completely enthralled then the ending of the novel loses its impact.
BITCH PLANET: PRESIDENT BITCH takes place in a future where outspoken women are forced to wear red overalls emblazoned with NC for Non-Compliant, and the “worst” of them are sent to an off-world prison. This graphic novel pulls no punches, dealing with issues like rape, equal rights and the treatment of prisoners.